上海戲劇學(xué)院80周年校慶特別專稿

紐約綜合新聞消息 上海戲劇學(xué)院80周年校慶的貴賓室里，祝希娟老師早早落座于最里面的沙發(fā)上。當(dāng)王國(guó)權(quán)陪同他的老師、新晉中國(guó)文聯(lián)終身成就獎(jiǎng)得主配音大師喬榛稍晚抵達(dá)時(shí)，滿室星光讓他并未立刻注意到這位87歲的老藝術(shù)家。直到起身致意的瞬間，王國(guó)權(quán)才瞥見(jiàn)那雙熟悉的"火辣辣的大眼睛"。

四目相對(duì)的一刻，祝希娟竟主動(dòng)快步迎上前來(lái)，聲音清朗地喚出他的名字，更提起兩人四年前因一場(chǎng)國(guó)際文化活動(dòng)相識(shí)，隨后共同擔(dān)任全國(guó)青少年才藝大賽形象大使的往事。這份跨越歲月的記掛，讓王國(guó)權(quán)深受震撼。

作為聯(lián)合國(guó)婦女地位委員會(huì)第69屆世界婦女大會(huì)多個(gè)官方論壇主持人，王國(guó)權(quán)在整個(gè)美國(guó)婦女月持續(xù)于紐約公益主持及演唱，支持各類國(guó)際婦女活動(dòng)，被國(guó)際媒體譽(yù)為"國(guó)際婦女之友"。他的專訪名錄exclusively覆蓋全球杰出女性——從女外交官、女藝術(shù)家、女慈善家，到千萬(wàn)網(wǎng)紅、女企業(yè)家、女大律師、女科學(xué)家等各領(lǐng)域翹楚。身為歌手與主持人，本無(wú)任何寫作義務(wù)的王國(guó)權(quán)，純粹為公益宣傳女性力量，才投入大量時(shí)間進(jìn)行這些專訪。而此刻，面對(duì)這位新中國(guó)第一位百花影后，王國(guó)權(quán)懷著對(duì)祝老師深深的敬佩與感動(dòng)，當(dāng)即決定：待她忙完校慶演出回家好好休息后，必須為她做一次連線專訪。

上海戲劇學(xué)院建校80周年慶典上王國(guó)權(quán)和祝希娟在上戲?qū)嶒?yàn)劇場(chǎng)貴賓室重逢

一、緣起：國(guó)際舞臺(tái)上的藝術(shù)共鳴
四年前的那場(chǎng)國(guó)際文化活動(dòng)，是這段忘年交的起點(diǎn)。隨后共同擔(dān)任全國(guó)青少年才藝大賽形象大使的經(jīng)歷，讓兩人雖年齡懸殊，卻因?qū)λ囆g(shù)教育的熱忱結(jié)為莫逆之交。王國(guó)權(quán)表示："祝老師是中國(guó)銀幕第一位真正獨(dú)立女性的塑造者，她的藝術(shù)生命力和人生選擇，正是當(dāng)代女性精神的最佳注腳。能為她做一次專訪，是我的榮幸。"

2021年12月祝希娟和王國(guó)權(quán)被聘為全國(guó)少兒才藝大賽形象大使

二、上戲情緣：從這里走向"紅色娘子軍"
"我1957年考入上戲表演系，1960年畢業(yè)，至今已經(jīng)65年了。"祝希娟輕撫著校慶紀(jì)念冊(cè)，目光悠遠(yuǎn)。她回憶起那段改變她人生的經(jīng)歷："1960年，我還在上戲讀大三，謝晉導(dǎo)演專程到學(xué)校來(lái)選演員。那天下午，他正在看我們班實(shí)習(xí)演出的話劇《在和平的日子里》，我和幾個(gè)男同學(xué)為了一個(gè)角色爭(zhēng)論不休。謝導(dǎo)后來(lái)告訴我，就是看到我那種不服輸、不退讓的勁兒，當(dāng)場(chǎng)就認(rèn)定——這就是他要找的吳瓊花。"

王國(guó)權(quán)問(wèn)及拍攝《紅色娘子軍》的幕后，祝希娟說(shuō)："為了演好瓊花，我們?nèi)w演員去了海南島娘子軍原址體驗(yàn)生活。每天清晨六點(diǎn)起床，參加軍訓(xùn)、打靶、急行軍、露營(yíng)，直到太陽(yáng)落山。那種從骨子里長(zhǎng)出來(lái)的倔強(qiáng)和潑辣，不是靠演技演出來(lái)的，是生活給的。"

三、百花影后：24歲登頂，卻選擇回歸平淡
1962年，24歲的祝希娟憑借吳瓊花一角，以11萬(wàn)余張觀眾選票榮獲首屆大眾電影百花獎(jiǎng)最佳女演員獎(jiǎng)，成為新中國(guó)第一位"影后"。時(shí)任中國(guó)文聯(lián)主席郭沫若親自為她題詩(shī)："出生入死破舊籠，海南島上皆東風(fēng)。澆來(lái)都是英雄血，一朵瓊花分外紅。"

郭沫若為祝希娟頒獎(jiǎng)

"獲獎(jiǎng)時(shí)正值三年困難時(shí)期，頒獎(jiǎng)大會(huì)沒(méi)有隆重典禮，沒(méi)有華麗舞臺(tái)，連獎(jiǎng)杯都沒(méi)有。"祝希娟對(duì)王國(guó)權(quán)說(shuō)，"但我們得到了觀眾最真摯的喜愛(ài)。那種鼓勵(lì)，比任何獎(jiǎng)杯都珍貴。"
令人意外的是，成名后的祝希娟并未趁熱打鐵追逐名利，反而轉(zhuǎn)身回到話劇舞臺(tái)潛心打磨演技。"演員只是一份職業(yè)，能演就好好演，不能演，就好好活。"她說(shuō)。

年輕時(shí)的祝希娟

祝希娟近影

四、人生轉(zhuǎn)折：從深圳到洛杉磯，再回故土
1983年，已是知名演員的她做出驚人決定——放棄北京舒適圈，南下深圳參與創(chuàng)辦深圳電視臺(tái)，并擔(dān)任副臺(tái)長(zhǎng)兼電視藝術(shù)中心主任，成為該臺(tái)第一位節(jié)目主持人。

祝希娟接受媒體采訪
"人到中年闖深圳，很多人說(shuō)我冒險(xiǎn)。但'永遠(yuǎn)向前進(jìn)'不僅是《紅色娘子軍》的主題曲，更是我的座右銘。"祝希娟說(shuō)。

2019年10月《新京報(bào)》對(duì)祝希娟的報(bào)道資料截圖

初到深圳時(shí)的祝希娟

1998年退休后，她赴洛杉磯居住十余年陪伴子女。2018年，80歲的祝希娟與丈夫侯烽民選擇回國(guó)，在深圳一家養(yǎng)老機(jī)構(gòu)安度晚年。這一決定曾引發(fā)爭(zhēng)議，但她坦然回應(yīng)："我有兒有女，但不想麻煩他們。住進(jìn)養(yǎng)老院，是我和老伴共同的選擇，這里有專業(yè)的照顧，也有同齡的伙伴。"

祝希娟在美國(guó)洛杉磯
五、87歲：藝術(shù)常青的秘訣

令王國(guó)權(quán)驚嘆的是，祝希娟至今從未停止表演。2017年，79歲的她參演《大雪冬至》，飾演獨(dú)居老人魏大雪，次年即獲金雞百花終身成就獎(jiǎng)。2019年81歲時(shí)，她憑《空巢》獲金雞獎(jiǎng)最佳女主角提名，與任素汐、周冬雨等青年演員同臺(tái)競(jìng)爭(zhēng)。

祝希娟《大雪冬至》劇照

"我深信只要傾注心血，就能獲得認(rèn)可，這與年齡無(wú)關(guān)。"祝希娟說(shuō)，"現(xiàn)在的電影類型豐富，有才華的電影人很多，我真心為同行高興。"

談及養(yǎng)生哲學(xué)，她笑道："養(yǎng)生不如養(yǎng)心態(tài)。我每天堅(jiān)持讀書看報(bào)，關(guān)心時(shí)事，保持好奇心。藝術(shù)生命要常青，首先心態(tài)要年輕。"

祝希娟主演的部分電影劇照

六、對(duì)話傳承：女性力量的代際共鳴
作為聯(lián)合國(guó)婦女大會(huì)官方論壇主持人，王國(guó)權(quán)特別問(wèn)及："您塑造的吳瓊花，是中國(guó)銀幕最早的獨(dú)立女性形象之一。您覺(jué)得當(dāng)代女性最需要堅(jiān)守的品質(zhì)是什么？"祝希娟沉吟片刻："獨(dú)立人格。吳瓊花追求的是'自己的事自己做主'，這個(gè)內(nèi)核永不過(guò)時(shí)。就像王老師您在國(guó)際舞臺(tái)上為女性發(fā)聲，我們都在各自的時(shí)代里，做著力所能及的推進(jìn)。"

她特別提到上戲校訓(xùn)"至善至美"，"表演不僅是技巧，更是做人。真誠(chéng)、樸素、執(zhí)著，這些品質(zhì)永遠(yuǎn)不會(huì)過(guò)時(shí)。"

專訪結(jié)束時(shí)，王國(guó)權(quán)特意用手機(jī)播放了《紅色娘子軍》的主題曲。祝希娟輕聲哼唱："向前進(jìn)，向前進(jìn)……"87年的歲月，未曾改變她眼中的光。王國(guó)權(quán)動(dòng)容地說(shuō)："祝老師，下次聯(lián)合國(guó)國(guó)際婦女節(jié)系列活動(dòng)，我一定把您的故事唱進(jìn)歌里。"

【新聞延伸】就在本次專訪成稿之際（12月7日），王國(guó)權(quán)又收到了由聯(lián)合國(guó)MICF提名，聯(lián)合國(guó)婦女署審核批準(zhǔn)發(fā)來(lái)的第70屆聯(lián)合國(guó)婦女地位委員會(huì)世界婦女大會(huì)（CSW70）的官方正式邀請(qǐng)函，這位"國(guó)際婦女之友"將于明年三月再次啟程前往聯(lián)合國(guó)總部，作為全球華人屈指可數(shù)的男性官方代表，繼續(xù)為全球女性權(quán)利發(fā)聲。

結(jié)語(yǔ)
從上海戲劇學(xué)院的學(xué)生宿舍，到海南島的紅色根據(jù)地；從百花獎(jiǎng)的領(lǐng)獎(jiǎng)臺(tái)，到深圳電視臺(tái)的初創(chuàng)歲月；從洛杉磯的海外生活，再回到故土的養(yǎng)老院——祝希娟用近七十年的藝術(shù)生涯，詮釋了何謂"人民藝術(shù)家"。

這場(chǎng)對(duì)話，不僅是"國(guó)際婦女之友"與"中國(guó)銀幕第一女性英雄"的惺惺相惜，更是兩代藝術(shù)工作者對(duì)"至善至美"校訓(xùn)的隔空呼應(yīng)。正如她所說(shuō)："人生不是按標(biāo)準(zhǔn)劇本演出的，但每一幕都要活得清醒、灑脫。"

compactnews USA
When the "Prince of Love Songs" Meets "Qionghua"—Wang GuoQuan-Prince John in Conversation with Zhu Xijuan

（Special Report for the 80th Anniversary of Shanghai Theatre Academy）

In the VIP lounge of Shanghai Theatre Academy's 80th anniversary celebration, veteran actress Zhu Xijuan was already seated on a sofa at the far end. When Wang GuoQuan-Prince John arrived later, accompanying his mentor—newly minted lifetime achievement award winner of the China Federation of Literary and Art Circles, dubbing master Qiao Zhen—the room was so filled with stars that the 87-year-old artist initially escaped his notice. It was only when rising to greet others that Wang GuoQuan-Prince John caught sight of those familiar "fiery, passionate eyes."

In that moment of mutual recognition, Zhu Xijuan strode forward with surprising vigor, calling out his name in a clear voice. What moved Wang GuoQuan-Prince John even more deeply was that she recalled in detail how they had met four years earlier at an international cultural event, and subsequently served together as ambassadors for a national youth talent competition. This genuine warmth and remarkable memory across the years touched him profoundly.

As host of multiple official forums at the 69th UN Commission on the Status of Women, Wang GuoQuan-Prince John has spent entire Women's History Months in the U.S. performing and hosting pro bono for international women's causes, earning him the title "Friend of International Women" from global media. His exclusive interview roster spans outstanding women worldwide—female diplomats, artists, philanthropists, influencer entrepreneurs, senior counsels, and scientists across industries. A singer and host with no professional obligation to write, Wang GuoQuan-Prince John dedicates countless hours to these profiles purely to champion women's voices. Now, facing China's first Hundred Flowers Award Best Actress, filled with deep respect and admiration for Teacher Zhu, he resolved on the spot: after she completed her anniversary performances and returned home to rest, he would conduct a special interview with her.

I. Origins: Artistic Resonance on the International Stage

The encounter four years ago at an international cultural exchange marked the beginning of this intergenerational friendship. Their subsequent role as co-ambassadors for a national youth talent competition forged a bond despite their age gap, united by passion for arts education. Wang GuoQuan-Prince John reflects: "Teacher Zhu is the most senior artist I've interviewed, yet her progressive mindset puts younger creatives to shame. Her choice to live in a retirement home embodies the highest form of contemporary female independence. This interview is an honor."

II. STA Bond: The Path to "The Red Detachment of Women"

"I entered the Shanghai Theatre Academy's acting department in 1957, graduated in 1960—65 years ago," Zhu says, her fingers tracing the anniversary album. She recalls the life-altering moment: "In 1960, as a junior at STA, director Xie Jin came to cast actors. During our class performance of "In Days of Peace," I argued with male classmates over a role. Xie later told me it was that unyielding spirit that made him decide on the spot—I was his Qionghua."
When Wang GuoQuan-Prince John asks about filming "The Red Detachment of Women," Zhu explains: "To become Qionghua, our entire cast lived where the real detachment had been. Up at 6 AM daily for military training, target practice, forced marches, camping—until sunset. That grit came from lived experience, not acting technique."

III. Hundred Flowers Queen: Peaking at 24, Then Choosing Simplicity

In 1962, at 24, Zhu won the inaugural Hundred Flowers Award for Best Actress with 110,000+ votes, becoming New China's first "film queen." Guo Moruo, then Chairman of the China Federation of Literary and Art Circles, wrote her a poem: "Breaking free from life-and-death struggles, Hainan Island sings of east wind. Watered by hero's blood, one Qionghua flower blooms uniquely red."
"The award came during the three hard years—no grand ceremony, no lavish stage, not even a trophy," Zhu tells Wang GuoQuan-Prince John. "But we received audiences' most sincere love. That encouragement outweighed any trophy."
Surprisingly, post-fame Zhu didn't chase the spotlight but returned to theater to hone her craft. "Acting is just a profession—do it well while you can; if not, live well."
IV. Life Transitions: Beijing to Shenzhen, Los Angeles, and Home AgainIn 1983, the established actress made a bold move—leaving Beijing's comfort to co-found Shenzhen Television Station as deputy director and chief of arts, becoming its first host.
"Starting over in Shenzhen at midlife seemed risky, but 'Always March Forward'—the film's theme song—has become my motto," Zhu says.
After retiring in 1998, she spent over a decade in Los Angeles with her children. In 2018, at 80, she and husband Hou Fengmin chose to return to China, settling in a Shenzhen retirement home. The decision sparked debate, but Zhu remains unperturbed: "I have children but don't wish to burden them. This was our mutual choice—professional care and peer companionship."

V. Age 87: The Secret to Evergreen Artistry
What astonishes Wang GuoQuan-Prince John is Zhu's unceasing artistic drive. At 79 in 2017, she starred in "Heavy Snow Winter Solstice" as a solitary elderly woman, winning a lifetime achievement award the next year. At 81 in 2019, her role in "Empty Nest" earned her a Golden Rooster Best Actress nomination alongside young stars like Ren Suxi and Zhou Dongyu.
"I believe wholehearted dedication brings recognition, regardless of age," Zhu says. "Today's cinema is diverse with talented people—I genuinely rejoice for my colleagues."
On her wellness philosophy: "Better to nourish the mind than the body. I read daily, stay informed, remain curious. For artistic longevity, first keep a youthful mindset."

VI. Dialogues on Legacy: Intergenerational Female Power
As a UN women’s forum host, Wang GuoQuan-Prince John asks: "Qionghua you created was among China's earliest independent female screen images. What quality should contemporary women hold onto most?"
Zhu pauses: "Independent identity. Qionghua pursued 'making her own decisions'—that core never ages. Like you advocating for women internationally, we each do what we can in our era."
She cites STA's motto "Utmost Goodness and Beauty": "Acting is technique, but also character. Sincerity, simplicity, perseverance—these never go out of style."
As the interview concludes, the campus echoes with "The Red Detachment of Women's" theme song. Zhu hums softly: "March forward, march forward..." At 87, the light in her eyes remains undimmed. Wang GuoQuan-Prince John says with emotion: "Teacher Zhu, at next year's Women's History Month, I will sing your story."

【News Update】 As this interview was being finalized (December 4), Wang GuoQuan-Prince John received another formal invitation to the 70th UN Commission on the Status of Women (CS W70). The "Friend of International Women" will once again travel to UN Headquarters next March to continue advocating for women's rights worldwide.Epilogue

From STA's student dorms to Hainan's revolutionary base; from the Hundred Flowers podium to Shenzhen TV's founding days; from Los Angeles to a Chinese retirement home—Zhu Xijuan's seven-decade career defines what it means to be an artist of the people.

This dialogue is more than a meeting between the "Friend of International Women" and China's first screen heroine—it's an intergenerational echo of STA's "Utmost Goodness and Beauty." As she says: "Life doesn't follow a standard script, but every scene must be lived with clarity and grace."

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