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近年來，隨著人們生活水平的提高和旅游消費(fèi)的升級(jí)，木屋民宿作為一種獨(dú)特的住宿體驗(yàn)，越來越受到游客的青睞。其發(fā)展趨勢主要體現(xiàn)在以下幾個(gè)方面：

一、個(gè)性化、主題化：木屋民宿不再局限于單一的住宿功能，而是更加注重個(gè)性化和主題化，以滿足游客的多元化需求。例如，打造森林主題、星空主題、童話主題等特色木屋民宿，提供獨(dú)特的住宿體驗(yàn)。

二、高端化、精品化：隨著消費(fèi)者對住宿品質(zhì)要求的提高，木屋民宿逐漸向高端化、精品化方向發(fā)展。例如，采用高品質(zhì)的建筑材料、設(shè)計(jì)精美的室內(nèi)裝飾、提供貼心的管家服務(wù)等，提升木屋民宿的檔次和吸引力。

三、生態(tài)化、可持續(xù)化：木屋民宿作為與自然環(huán)境緊密相連的住宿形式，其生態(tài)價(jià)值日益凸顯。未來，木屋民宿將更加注重生態(tài)保護(hù)和可持續(xù)發(fā)展，采用環(huán)保材料、節(jié)能技術(shù)等，打造綠色、低碳、環(huán)保的生態(tài)木屋民宿。

四、智能化、科技化：互聯(lián)網(wǎng)、物聯(lián)網(wǎng)、人工智能等技術(shù)的應(yīng)用，為木屋民宿的智能化、科技化發(fā)展提供了有力支撐。例如，利用智能門鎖、智能燈光、智能溫控等設(shè)備提升游客的居住體驗(yàn)，利用大數(shù)據(jù)分析游客行為優(yōu)化民宿運(yùn)營等。

In recent years, with the improvement of people's living standards and the upgrading of tourism consumption, chalet homestay, as a unique accommodation experience, is more and more favored by tourists. Its development trend is mainly reflected in the following aspects:

First, individuation and theme: the wooden house is no longer limited to a single accommodation function, but pays more attention to individuation and theme to meet the diversified needs of tourists. For example, to create forest theme, starry sky theme, fairy tale theme and other characteristics of the wooden house homestay, to provide a unique accommodation experience.

Second, high-end, quality: With the improvement of consumers' requirements for accommodation quality, chalet homestays are gradually developing in the direction of high-end and quality. For example, the use of high-quality building materials, beautifully designed interior decoration, the provision of intimate butler service, etc., enhance the grade and appeal of the wooden house.

Third, ecological, sustainable: As a form of accommodation closely linked to the natural environment, the ecological value of chalet is becoming increasingly prominent. In the future, the wooden house will pay more attention to ecological protection and sustainable development, using environmentally friendly materials, energy-saving technology, etc., to create green, low-carbon and environmentally friendly ecological wooden house.

Fourth, intelligent, scientific and technological: the application of Internet, Internet of things, artificial intelligence and other technologies has provided strong support for the intelligent and scientific development of wooden houses. For example, the use of intelligent door locks, intelligent lighting, intelligent temperature control and other equipment to improve the living experience of tourists, the use of big data analysis of tourist behavior to optimize the operation of residential accommodation.

木屋民宿的空間設(shè)計(jì)要充分考慮游客的居住體驗(yàn)和情感需求，主要體現(xiàn)在以下幾個(gè)方面：

一、選址：木屋民宿的選址要注重與自然環(huán)境的融合，選擇風(fēng)景優(yōu)美、環(huán)境清幽的地點(diǎn)，例如森林、湖畔、山間等，為游客提供遠(yuǎn)離城市喧囂、親近自然的居住體驗(yàn)。

二、外觀設(shè)計(jì)：木屋民宿的外觀設(shè)計(jì)要注重與周圍環(huán)境的協(xié)調(diào)，采用自然質(zhì)樸的建筑風(fēng)格，例如原木色、茅草屋頂?shù)?，營造出溫馨舒適的居住氛圍。

三、室內(nèi)設(shè)計(jì)：木屋民宿的室內(nèi)設(shè)計(jì)要注重空間布局的合理性和舒適性，充分利用自然光線和通風(fēng)，營造出明亮通透的居住空間。同時(shí)，要注重細(xì)節(jié)設(shè)計(jì)，例如木質(zhì)家具、棉麻布藝、綠植裝飾等，提升居住品質(zhì)。

四、功能分區(qū)：木屋民宿的功能分區(qū)要明確，例如臥室、客廳、廚房、衛(wèi)生間等，滿足游客的基本生活需求。同時(shí)，可以根據(jù)實(shí)際情況設(shè)置一些特色功能區(qū)域，例如觀景陽臺(tái)、露天浴池、壁爐等，提升居住體驗(yàn)。

五、景觀設(shè)計(jì)：木屋民宿的景觀設(shè)計(jì)要注重與自然環(huán)境的融合，例如種植花草樹木、設(shè)置水景景觀等，營造出優(yōu)美宜人的居住環(huán)境。

The space design of the wooden house should fully consider the living experience and emotional needs of tourists, mainly reflected in the following aspects:

First, site selection: The site selection of wooden houses should pay attention to the integration with the natural environment, choose scenic and quiet locations, such as forests, lakes, mountains, etc., to provide tourists with a living experience away from the hustle and bustle of the city and close to nature.

Second, the appearance design: the appearance design of the wooden house should pay attention to the coordination with the surrounding environment, the use of natural and rustic architectural style, such as raw wood color, thatch roof, etc., to create a warm and comfortable living atmosphere.

Interior design: The interior design of the wooden house should pay attention to the rationality and comfort of the space layout, make full use of natural light and ventilation, and create a bright and transparent living space. At the same time, we should pay attention to the details of the design, such as wooden furniture, cotton and linen fabric, green plant decoration, etc., to improve the quality of living.

Fourth, functional zoning: the functional zoning of the wooden house should be clear, such as the bedroom, living room, kitchen, bathroom, etc., to meet the basic needs of tourists. At the same time, you can set up some special functional areas according to the actual situation, such as viewing balconies, outdoor baths, fireplaces, etc., to enhance the living experience.

Landscape design: The landscape design of wooden houses should pay attention to the integration with the natural environment, such as planting flowers and trees, setting water landscape, etc., to create a beautiful and pleasant living environment.

木屋民宿作為一種獨(dú)特的住宿體驗(yàn)，具有廣闊的發(fā)展前景。投資者在進(jìn)行木屋民宿的投資建設(shè)時(shí)，要充分考慮市場需求、政策法規(guī)、運(yùn)營管理、安全隱患、環(huán)境保護(hù)等因素，規(guī)避風(fēng)險(xiǎn)，打造精品木屋民宿，實(shí)現(xiàn)可持續(xù)發(fā)展，木屋民宿需要規(guī)避的風(fēng)險(xiǎn)及不好的地方：

一、政策風(fēng)險(xiǎn)：木屋民宿的建設(shè)和發(fā)展需要符合當(dāng)?shù)卣南嚓P(guān)政策法規(guī)，例如土地使用政策、環(huán)境保護(hù)政策等。因此，在投資建設(shè)木屋民宿之前，要充分了解當(dāng)?shù)氐恼叻ㄒ?guī)，避免因政策風(fēng)險(xiǎn)造成損失。

二、市場風(fēng)險(xiǎn)：木屋民宿的市場競爭日益激烈，投資者需要對市場需求進(jìn)行充分調(diào)研，避免盲目投資造成市場風(fēng)險(xiǎn)。例如，選擇目標(biāo)客群明確、市場需求旺盛的地點(diǎn)投資建設(shè)木屋民宿。

三、運(yùn)營風(fēng)險(xiǎn)：木屋民宿的運(yùn)營管理需要專業(yè)化的團(tuán)隊(duì)，例如客房服務(wù)、餐飲服務(wù)、營銷推廣等。因此，投資者需要組建專業(yè)的運(yùn)營團(tuán)隊(duì)，或者委托專業(yè)的民宿運(yùn)營公司進(jìn)行管理，避免因運(yùn)營風(fēng)險(xiǎn)造成損失。

四、安全隱患：木屋民宿作為木質(zhì)結(jié)構(gòu)的建筑，存在一定的安全隱患，例如火災(zāi)隱患、蟲害隱患等。因此，投資者需要加強(qiáng)安全管理，例如安裝消防設(shè)施、定期進(jìn)行蟲害防治等，確保游客的安全。

五、環(huán)境保護(hù)：木屋民宿的建設(shè)和發(fā)展要注重環(huán)境保護(hù)，避免對自然環(huán)境造成破壞。例如，采用環(huán)保材料、節(jié)能技術(shù)等，減少對環(huán)境的污染。

As a unique accommodation experience, chalet homestay has broad prospects for development. Investors should fully consider market demand, policies and regulations, operation management, security risks, environmental protection and other factors in the investment and construction of wooden houses, avoid risks, create boutique wooden houses, achieve sustainable development, wooden houses need to avoid risks and bad places:

First, policy risks: the construction and development of chalet homestays need to comply with the relevant policies and regulations of the local government, such as land use policies and environmental protection policies. Therefore, before investing in the construction of wooden houses, it is necessary to fully understand the local policies and regulations to avoid losses caused by policy risks.

Second, market risk: the market competition of wooden houses is becoming increasingly fierce, investors need to fully investigate the market demand, to avoid blind investment caused by market risk. For example, choose a location with a clear target customer group and strong market demand to invest in the construction of wooden houses.

Operation risk: The operation and management of chalet homestay requires a professional team, such as room service, catering service, marketing and promotion. Therefore, investors need to set up a professional operation team, or entrust a professional hotel operating company to manage, to avoid losses caused by operational risks.

Four, security risks: as a wooden structure of the building, there are certain security risks, such as fire risks, insect pests and so on. Therefore, investors need to strengthen safety management, such as the installation of fire facilities, regular pest control, etc., to ensure the safety of tourists.

Environmental protection: The construction and development of wooden houses should pay attention to environmental protection and avoid damage to the natural environment. For example, the use of environmentally friendly materials, energy-saving technology, etc., to reduce environmental pollution.

一、伊犁 · 青空翼翼

RESIDENTIAL DESIGN

青空冀翼民宿位于新疆伊犁特克斯縣瓊庫什臺(tái)村。這是一個(gè)海拔2000米的游牧民族村落，也是中國100個(gè)歷史文化名村之一。獨(dú)特的地理位置造就了絕佳的自然景觀，讓這里被稱為伊犁最后的秘境。在哈薩克語之后，瓊庫什臺(tái)的意思是“寬闊的平臺(tái)”，這里是喀拉峻草原的一部分，有著真正原生態(tài)的自然環(huán)境。雪山、村莊、草原、牧場、溪流、河谷、雄鷹、牛羊、杉樹林……這個(gè)位于天山腳下、深藏在大山深處的寧靜村莊，幾乎與世隔絕，村民們過著最原始的游牧生活，恍如一塊“神的自留地”。云杉環(huán)抱著雪峰，峽谷深處云霧繚繞。雪山草原、丘陵森林、河谷溪流、木屋氈房，似乎所有最純凈最美麗的形容詞，你都可以用在瓊庫什臺(tái)的描述里。

Qingsky Jiyi Homestay is located in Qiongkushtai Village, Tekes County, Yili, Xinjiang. This is a nomadic village with an altitude of 2000 meters, and it is also one of the 100 historical and cultural villages in China. The unique geographical location creates excellent natural scenery, making it known as the last secret of Ili. After the Kazakh language, Jonkushtai means "broad platform", and this is part of the Kalajun Grassland with a truly pristine natural environment. Snow-capped mountains, villages, grasslands, pastures, streams, river valleys, eagles, cattle and sheep, fir forests... This quiet village at the foot of the Tianshan Mountains, deep in the mountains, is almost isolated, and the villagers live the most primitive nomadic life, as if a piece of "God's private land". Spruce trees encircle snowy peaks and clouds linger in the deep canyons. Snowy mountains and grasslands, hilly forests, river valleys and streams, wooden yurts, it seems that all the purest and most beautiful adjectives can be used in the description of Jonkushtai.

瓊庫什臺(tái)村幾乎所有的民房都是木建筑，保留了許多上世紀(jì)五六十年代具有哈薩克游牧民族特色的木屋。青空冀翼在建筑的平面、立面和細(xì)部處理，以及建筑技術(shù)和施工技藝方面，都保留了當(dāng)?shù)亟ㄖ幕挠≯E。這4棟木屋與周邊的萬物一樣，仿佛是從地里直接生長出來的。青空冀翼挑選了距離瓊庫什臺(tái)村落僅8分鐘車程的前山小山坡的高點(diǎn)，獨(dú)立于村落之外，以更好地確保原生態(tài)的極致景色。在經(jīng)過對當(dāng)?shù)氐纳钊胙芯?，綜合考慮各方面因素后，設(shè)計(jì)師決定以克制的態(tài)度介入該項(xiàng)目： 不追求過度設(shè)計(jì)，而是讓設(shè)計(jì)服務(wù)于自然和體驗(yàn)。 既保留了哈薩克小木屋的原始風(fēng)貌，又融入了現(xiàn)代的設(shè)計(jì)元素。通過改變開窗方式和位置，民宿巧妙地引景入室，模糊了室內(nèi)外的邊界。

Almost all the houses in Jongkushtai village are wooden buildings, retaining many wooden houses that were characteristic of Kazakh nomads in the 1950s and 1960s. Aozora Wing retains the imprint of the local architectural culture in terms of the plan, facade and detail treatment of the building, as well as architectural techniques and construction techniques. These four wooden houses, like everything else around them, seem to have grown directly out of the ground. Aozora Wing selected the high point of the hillside of Qianshan, just 8 minutes' drive from the village of Jonkushtai, independent of the village, to better ensure the ultimate view of the original environment. After an in-depth study of the local area, taking all aspects into consideration, the designer decided to enter the project with a restrained attitude: not to pursue excessive design, but to let the design serve nature and experience.

二、空間美學(xué)

RESIDENTIAL DESIGN

青空冀翼的12件客房，分布在4棟木屋內(nèi)，每棟3間。幾乎所有的房間里，床鋪都是面朝風(fēng)景的方向擺放的。通透的窗戶延伸了視線，讓局促的空間變得不再局促，室內(nèi)外的邊界變得模糊，讓旅人真正的住進(jìn)了風(fēng)景里，通透的巨幅落地窗讓絕美風(fēng)景涌進(jìn)室內(nèi)。隨著天光和季節(jié)的變化，窗外的風(fēng)景也在不斷變化。

Aozora Wing's 12 guest rooms are distributed in 4 wooden houses, 3 each. In almost all rooms, the beds are placed facing the view. The transparent Windows extend the line of sight, so that the cramped space becomes no longer cramped, the boundary between indoor and outdoor becomes blurred, so that travelers really live in the scenery, and the transparent huge floor-to-ceiling Windows let the beautiful scenery flood into the room. As the light and seasons change, the scenery outside the window is constantly changing.

通過梳理場地關(guān)系，確定景觀的朝向和光線的流動(dòng)軌跡。 保留哈薩克小木屋原始風(fēng)貌的同時(shí)，改變開窗方式和位置，通過不同形式的窗引景入室，模糊室內(nèi)外的邊界，室內(nèi)沒有堆砌多余的裝飾元素，僅用了原木、涂料作為主要材料。用少量拱形回應(yīng)當(dāng)?shù)氐难b飾特點(diǎn)，更接近當(dāng)?shù)靥厣木幼》绞揭渤蔀樵O(shè)計(jì)考量之一，沒有床頭的床鋪設(shè)計(jì)，回應(yīng)著哈薩克游牧民族睡地臺(tái)的生活方式。

By combing the site relationship, the orientation of the landscape and the flow path of light are determined. While retaining the original style of the Kazakh log cabin, changing the way and position of the window opening, introducing the scenery through different forms of Windows, blurring the boundary between indoor and outdoor, and not piling up redundant decorative elements in the interior, only using logs and paints as the main materials. A small number of arches respond to local decorative features. Closer to the local characteristics of the living style also became a design consideration, the bed design without the head, in response to the Kazakh nomads sleeping on the platform lifestyle.

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