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花婆婆精品民宿·隱居鄉(xiāng)里位于秦嶺巴山腹地核心區(qū)，具體坐落于陜西省安康市紫陽縣青中村郭家梁景區(qū)制高點(diǎn)。這座建筑群完全融入自然山林環(huán)抱之中，在此可盡覽壯闊山景、縹緲云海、層疊茶園、古樸宅院與清越石徑等多重景觀意象。沿著蜿蜒山路，穿過云霧繚繞的山澗，花婆婆的六座獨(dú)立小院映入眼簾。院落沿襲小城民俗建制，以墨色石板瓦做屋頂，以灰黃泥土做抹面，與山勢共生，錯(cuò)落有致。

整個(gè)庭院空間遵循自然美學(xué)原則進(jìn)行構(gòu)建，通過黑色礫石與原生山石的有機(jī)組合，結(jié)合木繡球、人面竹等鄉(xiāng)土植物造景，形成天人合一的生態(tài)意境。院內(nèi)陳設(shè)的木質(zhì)家具與苔蘚步道相得益彰，在靜謐氛圍中蘊(yùn)含生機(jī)活力，令居者頓悟：詩性棲居的美好境界，原來就藏于當(dāng)下的呼吸之間。

The Flower Grandma Boutique Homestay - Hidden in the Countryside is located in the core area of the Qinling and Bashan Mountains, specifically at the highest point of the Guojialiang Scenic Area in Qingzhong Village, Ziyang County, Ankang City, Shaanxi Province. This complex of buildings is fully integrated into the embrace of natural mountains and forests. Here, one can enjoy a variety of landscape images such as magnificent mountain views, misty sea of clouds, layered tea gardens, ancient residences and clear stone paths. Following the winding mountain road and passing through the misty mountain stream, the six independent courtyards of Granny Hua come into view. The courtyard follows the folk customs of the small town, with ink-colored stone slabs and tiles as the roof and grayish-yellow soil as the plastering surface. It coexists with the mountain terrain and is arranged in a staggered and orderly manner.

The entire courtyard space is constructed in accordance with the principles of natural aesthetics. Through the organic combination of black gravel and original mountain rocks, and with the landscaping of native plants such as hydrangeas and bamboo, an ecological atmosphere of harmony between man and nature is formed. The wooden furniture displayed in the courtyard and the mossy walkway complement each other perfectly, exuding vitality and vigor in the serene atmosphere. This makes the residents suddenly realize that the beautiful realm of poetic dwelling is actually hidden in the breath of the present moment.

一、隱居鄉(xiāng)里 ·陜西花婆婆

RESIDENTIAL DESIGN

花婆婆民宿的屋頂設(shè)計(jì)獨(dú)具特色，展現(xiàn)出別具一格的匠心。其屋頂選用層層疊疊的石板瓦，既美觀大方，又富有層次感與立體感。石板瓦作為傳統(tǒng)建筑材料，不僅具備出色的防水性能和耐久性，還蘊(yùn)含著豐富的歷史文化內(nèi)涵。當(dāng)陽光灑下，石板瓦會散發(fā)迷人光影，為民宿增添獨(dú)特的藝術(shù)韻味。這種設(shè)計(jì)既彰顯了對傳統(tǒng)文化的敬重與傳承，又凸顯了現(xiàn)代建筑的創(chuàng)新之美，讓游客在入住民宿時(shí)，既能領(lǐng)略自然之美，又能感受文化的魅力。

花婆婆民宿的建筑設(shè)計(jì)理念，將現(xiàn)代康養(yǎng)民宿所倡導(dǎo)的“低碳”“環(huán)?！薄白匀弧痹瓌t，與東方哲學(xué)、生活美學(xué)相互融合，深刻體現(xiàn)出道法自然、天人合一、見素抱樸的內(nèi)涵。在材料方面，采用可再生或可降解材料，并充分利用太陽能、風(fēng)能等可再生能源，盡顯環(huán)保擔(dān)當(dāng)。風(fēng)格上，與自然環(huán)境相得益彰，巧妙運(yùn)用自然元素營造舒適氛圍，使游客能夠親近自然。同時(shí)，設(shè)計(jì)融入地域文化與新時(shí)代精神，呈現(xiàn)出獨(dú)特的文化魅力?？傮w而言，花婆婆民宿的設(shè)計(jì)理念集自然、文化、藝術(shù)于一身，為游客打造出獨(dú)特且美好的體驗(yàn)空間。

The roof design of the Flower Granny Homestay is unique and distinctive, demonstrating a distinctive craftsmanship. Its roof is made of layer upon layer of stone slabs, which is not only beautiful and elegant but also rich in layering and three-dimensional effects. SLATE tiles, as traditional building materials, not only possess excellent waterproof performance and durability, but also carry rich historical and cultural connotations. When the sunlight shines down, the stone slabs and tiles will emit charming shadows, adding a unique artistic charm to the homestay. This design not only demonstrates respect and inheritance for traditional culture, but also highlights the innovative beauty of modern architecture, allowing tourists to enjoy the beauty of nature and experience the charm of culture when staying in the homestay.

The architectural design concept of Hua Po Po Homestay integrates the "low-carbon", "environmental protection" and "natural" principles advocated by modern health and wellness homestays with Eastern philosophy and life aesthetics, profoundly embodying the connotations of following nature, harmony between man and nature, and embracing simplicity and purity. In terms of materials, renewable or degradable materials are adopted, and renewable energy sources such as solar and wind energy are fully utilized to demonstrate environmental protection responsibility. In terms of style, it complements the natural environment and ingeniously uses natural elements to create a comfortable atmosphere, allowing tourists to get close to nature. Meanwhile, the design integrates regional culture and the spirit of the new era, presenting a unique cultural charm. Overall, the design concept of the Flower Granny Homestay integrates nature, culture and art, creating a unique and wonderful experience space for tourists.

二、空間美學(xué)

RESIDENTIAL DESIGN

這里的老人們很喜歡種花，把院子收拾得既溫暖又浪漫，我們想要延續(xù)這份感覺，于是將小院分別打造成繡球花院、靜謐桃院、櫻花滿院三大主題院落，繼續(xù)講述屬于花兒的故事，也希望城市和鄉(xiāng)村的每一次對話，都充滿溫暖和美好。庭院的設(shè)計(jì)以自然純粹為主，黑色礫石與山石植物相映成趣，圍擋邊搭配中華木繡球、人面竹等，營造出源于自然融于自然的景觀空間。紅楓結(jié)合景石地被組合，點(diǎn)綴盆器，木賊與斑馬蕨、玉簪完美融合，偶有出現(xiàn)點(diǎn)點(diǎn)小花，隨著時(shí)間的變遷，覓一份超脫都市的性情。

靜謐桃院：1/2/3#院落共同聚落在山側(cè)緩坡，庭院中的百年核桃樹枝葉繁茂，樹冠如蓋，碩果累累。在古樹掩映下，花境設(shè)計(jì)嘗試通過楓類、蕨類等植物營造出禪意靜謐環(huán)境。

櫻花滿院：山頂?shù)?號院是四居圍合的獨(dú)院，自成一方空間。我們希望在這個(gè)院落里，人們能夠感受到繁花更替。

繡球花院：6號院是花婆婆唯一的二層院落，矗立在草木正盛的花海中，透出傾訴不盡的童話意境。

The elderly here are very fond of growing flowers and have made their courtyards both warm and romantic. We want to carry on this feeling, so we have transformed the small courtyards into three themed courtyards: the Hydrangea Courtyard, the quiet Peach Courtyard, and the Cherry blossom-filled courtyard. We will continue to tell the stories of flowers and also hope that every dialogue between the city and the countryside will be filled with warmth and beauty. The design of the courtyard is mainly based on nature and purity. Black gravel and mountain rocks and plants complement each other beautifully. Chinese hydrangeas and human-faced bamboo are placed along the fence, creating a landscape space that originates from and integrates with nature. The combination of red maple and landscape stone ground cover embellishes the pot. The horsehide, zebra fern and hosta blend perfectly. Occasionally, a few small flowers appear. As time goes by, it seeks a temperament that transcends the city.

Quiet Peach Courtyard: The 1/2/3# courtyards are jointly located on the gentle slope beside the mountain. The century-old walnut trees in the courtyards are luxuriant with branches and leaves, and their canopies are like caps, bearing abundant fruits. Under the shade of ancient trees, the flower bed design attempts to create a serene and Zen-like environment through plants such as maples and ferns.

The courtyard is filled with cherry blossoms: The No. 5 courtyard on the top of the mountain is a separate courtyard enclosed by four quarters, forming its own space. We hope that in this courtyard, people can feel the changing of flowers.

Hydrangea Courtyard: Courtyard No. 6 is the only two-story courtyard of the Flower Lady, standing in the sea of flowers in full bloom, exuding an endless fairy tale atmosphere.

入口區(qū)域增加精致組合花境及“花婆婆logo”，搭配觀賞草-金葉苔草、迷迭香、糖蜜草、絢藍(lán)鼠尾草、結(jié)香等營造荒野自然感。整體上以各種品種繡球花作為主打花卉，以繡球、多年生花卉組合種植，營造出即時(shí)綻放，花團(tuán)錦簇的花園氛圍，更是花婆婆生活態(tài)度的表達(dá)。院落里，根據(jù)不同特征的點(diǎn)位搭配百子蓮、金雞菊、繡球無盡夏、月季、圓錐繡球等花境場景，形成了更加錯(cuò)落有致的空間層次。院落里的一桌一椅，草木汀步，顯得幽靜平和卻又充滿能量，不經(jīng)意間發(fā)現(xiàn)，詩和遠(yuǎn)方就在身邊。

The entrance area features a delicate combination of flower beds and the "Flower Grandma logo", complemented by ornamental grasses such as golden leaf carex, rosemary, molasses grass, blue sage, and jasmine to create a wild and natural atmosphere. Overall, various varieties of hydrangeas are used as the main flowers, and hydrangeas and perennial flowers are planted in combination to create a garden atmosphere of immediate blooming and a profusion of flowers, which is also an expression of the life attitude of the flower grandma. In the courtyard, flower bed scenes such as agapanthus, golden marguerite, hydrangea endless summer, rose and conical hydrangea are arranged according to different characteristic points, creating a more staggered spatial hierarchy. The table and chair in the courtyard, the grass and trees, and the stepping stones all seem serene and peaceful yet full of energy. Unconsciously, one discovers that poetry and distant places are right beside them.

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