世界爛成稀泥，我只能……

——《單讀 42》新書分享會

今年的國際形勢動蕩不安。新技術(shù)的快速發(fā)展也讓人不知所措。在全球化時(shí)代，每一個(gè)看似遙遠(yuǎn)的變動都會在日常生活泛起漣漪。瘋了，世界瘋了，每個(gè)人也快瘋了：未來會怎樣？我們會失業(yè)嗎？我們會陷入貧窮嗎？戰(zhàn)爭離我們有多近？氣候變化會讓地球更不宜居嗎？……

瑞士劇作家多米尼克·布施（Dominik Busch）的劇作《合唱團(tuán)》把我們的記憶拉回到 2001 年?！?·11”事件爆發(fā)，一架飛機(jī)撞上世貿(mào)中心雙塔；瑞士盧塞恩發(fā)生了一起槍擊案，一個(gè)業(yè)余合唱團(tuán)正在參加合唱周，其中一位團(tuán)員的女兒在這樁案件中遇害。當(dāng)時(shí)人們也驚慌失措地發(fā)問：“這世界究竟怎么了？”

二十五年過去，世界還是一攤稀泥。但我們什么都做不了嗎？我們要就此束手就擒，在恐懼、怨恨、悲傷中過完短短一生？多米尼克·布施用劇作《合唱團(tuán)》回溯了 2001 年的傷痛，寫下當(dāng)時(shí)人們的錯(cuò)愕、悲傷、茫然之后，他又寫下人們是怎么帶著創(chuàng)傷活下去的。那個(gè)獲知噩耗的合唱團(tuán)，最終決定繼續(xù)把歌唱下去。

沒有人能阻止我們。也許有那么一會兒，在劫后余生的驚魂不定中我們中的一些人會感到無所適從。但不會一直如此。不會永遠(yuǎn)這樣。走，我們上臺吧。

也許一個(gè)人能做的事很微小，小到只能整理好自己的箱子，只能把準(zhǔn)備好的表演完成，但內(nèi)心的力量就這樣一點(diǎn)點(diǎn)積攢起來。今年 3 月，多米尼克·布施會在上海和南京與中國的戲劇愛好者見面。3 月 24 日，他將在南京大學(xué)黑匣子劇場，與南京大學(xué)教授陳恬、劇場創(chuàng)作者程月旻（她也是《合唱團(tuán)》的譯者）、《單讀》主編吳琦一起，聊聊作為文藝工作者，如何應(yīng)對爛成稀泥的世界。

本場活動隸屬于“這一次，再一次：相信戲劇”系列活動， 得到瑞士文化基金會上海辦公室、北京德國文化中心·歌德學(xué)院（中國）支持，由南京大學(xué)文學(xué)院戲劇影視藝術(shù)系提供場地支持。

時(shí)間：

3 月 24 日（周二）

19:00—21:00

地點(diǎn)：

黑匣子劇場

南京市棲霞區(qū)仙林大道 163 號南京大學(xué)（仙林校區(qū)）敬文學(xué)生活動中心三層

嘉賓：

多米尼克·布施 × 陳恬 × 程月旻 × 吳琦

翻譯：

李逸帆

報(bào)名方式：

校內(nèi)學(xué)生掃碼填寫問卷報(bào)名

校外觀眾掃碼在活動行平臺報(bào)名

黑匣子劇場位于南京大學(xué)校園內(nèi)，校外觀眾報(bào)名后，工作人員將以短信的形式與您確認(rèn)能否準(zhǔn)時(shí)到場，并協(xié)助處理入校事宜，請留意查收短信，并提前協(xié)調(diào)好時(shí)間。如行程有變，請于 3 月 21 日前在活動行平臺取消報(bào)名。座位有限，感謝理解！

無法來到現(xiàn)場的讀者朋友

可以點(diǎn)擊下方鏈接預(yù)約直播

Public Forum in Nanjing

Theme: The World's Been a Mess, and All I Can Do Is...

The international situation has been turbulent. The rapid development of new technologies has also left us overwhelmed. Under globalisation, every change that seems distant is impacting our daily lives. The world has gone mad, and we’re all on the verge of losing our minds: what will the future be like? Will we lose our jobs? Will we fall into poverty? How close is war?

Will climate change make the Earth less habitable?……

Swiss playwright Dominik Busch’s play The Choir (Der Chor) takes us back to 2001. The 9/11 attacks exploded, with a plane crashing into the Twin Towers of the World Trade Centre; in Lucerne, Switzerland, a shooting took place during a choral festival, the daughter of one of the choir members was killed. At the time, people also asked in panic: ‘What on earth is happening to the world?’

Twenty-five years on, the world remains a shambles. But are we powerless to do anything? Are we to simply give up, and spend our short lives drowning in fear, resentment and grief? In his play The Choir, Dominik Busch revisits the trauma of 2001. Having captured the shock, grief and bewilderment of the time, he goes on to depict how people carried on living with their trauma. That choir, which shocked by the terrible news, ultimately decided to keep singing.

Perhaps what one person can do is very small—small enough to merely pack one’s own luggage, or simply perform the prepared piece—but inner strength accumulates in this way. This March, Dominik Busch will meet with theatre enthusiasts in Shanghai and Nanjing. On 24 March, at Nanjing University’s Black Box Theatre, he will join Professor Chen Tian of Nanjing University, theatre creator Cheng Yuemin (who also translated The Choir), and Wu Qi, editor-in-chief of One-way Street Journal, to discuss how cultural workers can respond to a world that has crumbled into mud.

This event is part of the project ‘This Time, Once Again: Believing in Theatre’, supported by Swiss Arts Council Pro Helvetia Shanghai, Goethe-Institut Beijing, with venue support provided by Department of Theatre, Film and TV, School of Liberal Arts, Nanjing University.

Time:March 24th (Tue.) 19:00-21:00

Location:

Black box

3rd Floor, Jing Wen Student Activity Center, Nanjing University (Xianlin Campus), 163 Xianlin Avenue, Qixia District, Nanjing

Guests:Dominik Busch, Chen Tian, Dora Yuemin Cheng, and Wu Qi

Translator:Li Yifan

How to register:

For On-campus Students

For Off-campus Audiences

Black box is located on the Nanjing University campus. After registering, our staff will send you a text message to confirm your arrival and assist with campus access. Please check your messages and plan your schedule accordingly. If your plans change, please cancel your registration by March 21th. Thank you for understanding!

For readers who are unable to attend in person,

please click the link to watch the live stream.

劇本《合唱團(tuán)》完整收錄于

《單讀 42·當(dāng)代劇作選 II——世界早就瘋了》

本書所收錄的四部劇作均選自柏林戲劇節(jié)“劇本市場”及其在中國衍生的“重 JU 計(jì)劃”

The Choir (Der Chor ) is included in

The 42th issue of One-way Street Journal

Contemporary Plays II–The World Has Gone Mad

The four plays included in this book were all selected from Theatertreffen Stückemarkt and Reju-plan in China.

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嘉賓介紹

Bio of Guests

多米尼克·布施（Dominik Busch）

1979 年出生于薩爾嫩，在盧塞恩長大。從阿爾彭凱中學(xué)畢業(yè)后，他在蘇黎世大學(xué)和柏林洪堡大學(xué)學(xué)習(xí)哲學(xué)和德語。布施的劇本曾在盧塞恩劇院、柏林德意志劇院、蘇黎世劇院、溫克爾維斯劇院、巴塞爾劇院、伯爾尼施拉赫特豪斯劇院、帕德博恩劇院、奧伯豪森劇院、比勒費(fèi)爾德劇院、魏瑪?shù)乱庵緡覄≡?、莫斯科梅耶荷德中心和法蘭西喜劇院等劇院上演。

Dominik Busch was born in Sarnen in 1979 and grew up in Lucerne. After graduating from the Alpenquai Cantonal School, he studied philosophy and German language and literature at the University of Zurich and Humboldt University in Berlin. In 2012, he participated as an author in the Dramenprozessor programme at the Theater Winkelwiese. During the 2015/16 season, Dominik Busch was resident writer at the Lucerne Theatre, and in 2016/17 at the Theatre Basel, where he wrote his play Das Recht des St?rkeren (The Right of the Stronger). Busch's plays have been performed at the Lucerne Theatre, the Deutsches Theater in Berlin, the Schauspielhaus Zurich, the Theater Winkelwiese, the Theater Basel, the Schlachthaus Theater Bern, the Südpol Lucerne, the Westf?lische Kammerspiele Paderborn, the Theater Oberhausen, the Theater Bielefeld, the Deutsches Nationaltheater Weimar, the Meyerhold Center in Moscow and the Comédie-Fran?aise, among others.

陳恬（Chen Tian）

文學(xué)博士，南京大學(xué)文學(xué)院戲劇影視藝術(shù)系教授，香港城市大學(xué)、美國哥倫比亞大學(xué)訪問學(xué)者。主要研究領(lǐng)域?yàn)橹袊鴤鹘y(tǒng)劇場、歐洲后戲劇劇場，同時(shí)從事戲劇評論和譯介工作。

Chen Tian, PhD in literature, professor in the Department of Theatre, Film and TV, School of Liberal Arts, Nanjing University, visiting scholar at City University of Hong Kong and Columbia University, USA. Her primary research interests lie in traditional Chinese theatre and European post-dramatic theatre. She is also engaged in theatre criticism and translation.

程月旻（Dora Yuemin Cheng）

多語劇作家，劇場工作者。她出生在中國南京，畢業(yè)于上海戲劇學(xué)院戲劇文學(xué)系和倫敦藝術(shù)大學(xué)溫布爾頓藝術(shù)學(xué)院舞臺美術(shù)系?，F(xiàn)工作居住在柏林和南京。

程月旻的劇作關(guān)注女性及酷兒的自我意識的產(chǎn)生、發(fā)展和變化，以及哲學(xué)定義下的不同現(xiàn)實(shí)之間的裂痕。她的多部作品曾在中國、德國、丹麥和奧地利演出或朗讀。2017 年，她的中文編劇作品《火山灰》，作為上海話劇中心新文本孵化計(jì)劃的首部作品展示。2022 年，她的多語劇作《Epiphanie 頓悟》入選柏林戲劇節(jié)劇本市集短名單。2024 年，她入圍了奧地利 Retzhofer 劇作大獎(jiǎng)。2026 年，她的多語劇作《Sprache/Spiel 語言·游戲》被柏林戲劇節(jié)新劇本單元邀請。

2023 年 10 月，她創(chuàng)辦了“天仙不配翻譯小組”。小組專注于當(dāng)下的德語劇場新文本和表演現(xiàn)場的翻譯、文化轉(zhuǎn)譯以及在中文語境下的推廣。

Dora Yuemin Cheng, playwright and theatre worker, lives and works in Berlin and her hometown, Nanjing. Born and raised in China, she completed her Bachelor in Dramatic Writing at Shanghai Theatre Academy and gained her Master degree in the visual Language of Performance at Wimbledon College of Art in University of Arts London. Now she writes mainly in German, English and Chinese.

Her plays focus on the existance, the development and the viaration of female and queer self-awareness, as well as the cracks between different definitions of realities in philosophical means.

Her first play, Ejected, was selected and presented as the first production for the Shanghai Dramatic Arts Centre's new writing program in 2017. Her first multilingual play Epiphaine 頓悟 is on the shortlist for the Theatertreffen Stu?ckemarkt Germany 2022. She is nominated for Retzhof’s Drama prize 2024 and the play Sprache/Spiel 語言·游戲 is invited to Neue Dramatik program in Theatertreffen 2026. Her plays have been read or performed in China, UK, Germany, Austria and Denmark.

She is one of the founders of “Fairy no Marry” translation group in China. The interest of the group is the translation, the cultural decoding and transition and the promotion of the the contemporary new writing texts in German-speaking areas within the Chinese-speaking context.

吳琦（Wu Qi）

《單讀》主編，播客《螺絲在擰緊》主播。與項(xiàng)飆合著談話錄《把自己作為方法》，譯有《下一次將是烈火》《去山巔呼喊》《在門外談話 : 詹姆斯·鮑德溫的一生》等。

Wu Qi is the editor-in-chief of One-Way Street Journal, the host of the podcast The Turn of the Screw. He is the co-author with Xiang Biao of the book, The Self as Method: in Conversation with Xiang Biao, and the Chinese translator of The Fire Next Time, Go Tell It On The Mountain and Talking At The Gate: A Life Of James Baldwin.

更多新書巡回活動

主辦方

“單讀”誕生于 2009 年，是單向空間旗下集出版、聲音、影像、活動等全媒體原創(chuàng)內(nèi)容為一體的文化品牌?！皢巫x”堅(jiān)持全球化視野，挖掘國內(nèi)外新一代創(chuàng)作者和思想者，發(fā)表小說、詩歌、劇本、非虛構(gòu)和社科作品，尊重清醒、獨(dú)特、富有活力的聲音。

《單讀》MOOK 書影

支持方

瑞士文化基金會致力于在國內(nèi)外推廣瑞士當(dāng)代文化藝術(shù)?；饡?1939 年由瑞士政府成立，其上海辦公室于 2010 年成立，旨在支持中瑞兩國藝術(shù)家與機(jī)構(gòu)間的合作與交流，通過開展項(xiàng)目促進(jìn)兩國在文化領(lǐng)域內(nèi)知識與經(jīng)驗(yàn)的分享。目前，瑞士文化基金會上海辦公室開展的項(xiàng)目主要集中在瑞士當(dāng)代藝術(shù)，其中包括視覺藝術(shù)、表演藝術(shù)、設(shè)計(jì)、音樂、文學(xué)等眾多領(lǐng)域。

About Pro Helvetia, the Swiss Arts Council

Pro Helvetia supports artists and cultural practitioners from Switzerland and is committed to international cultural exchange. Pro Helvetia Shanghai is founded in 2010 and represents the Swiss Arts Council in China. Its aim is to encourage dialogue between Swiss and Chinese cultural practitioners and institutions by supporting projects that enhance the exchange of knowledge and experience in the cultural field.

關(guān)注和參與瑞士文化基金會在中國的活動，歡迎查看：

Instagram - @prohelvetia

Facebook - @prohelvetia.shanghai

Wechat: pro_helvetia

Weibo: 瑞士文化基金會

歌德學(xué)院是德意志聯(lián)邦共和國在世界范圍內(nèi)從事文化交流活動的文化機(jī)構(gòu)。1988 年，歌德學(xué)院北京分院作為第一家外國文化中心在中國成立。自建院以來，我們一方面致力于德語在中國的傳播與運(yùn)用，另一方面積極廣泛地從事德中兩國在文化領(lǐng)域內(nèi)的交流與合作。我們根植于開放的德國社會和德國文化土壤，借助于我們所擁有的跨國文化方面的專業(yè)力量，多年來與中方合作伙伴在音樂、戲劇、舞蹈、電影、藝術(shù)、建筑等眾多領(lǐng)域內(nèi)組織了大量的文化活動。

Goethe-Institut China

The Goethe-Institut is the cultural institution of the Federal Republic of Germany, operating worldwide. When the Goethe-Institut Beijing was established on 1 November 1988, it was the first foreign cultural centre in the PRC. From the beginning, it devoted itself to the promotion of the use of the German language, to provide access to knowledge and information about Germany, and to cooperate with Chinese partners in various cultural fields such as music, dance, theater, film, visual arts and architecture.

南京大學(xué)文學(xué)院戲劇影視藝術(shù)系有著深厚的歷史傳統(tǒng)。自 1922 年曲學(xué)大師吳梅先生南歸授曲，戲劇學(xué)科薪火傳遞，迄今已有百年。戲劇戲曲學(xué)專業(yè)自 1978 年招收碩士研究生，1984 年招收博士研究生，培養(yǎng)了一批重要學(xué)者，誕生了新中國第一個(gè)現(xiàn)當(dāng)代戲劇學(xué)博士。本學(xué)科擁有“戲劇影視文學(xué)”國家一流本科、“劇場與影像學(xué)”學(xué)術(shù)博士與碩士點(diǎn)，“戲劇與影視”專業(yè)學(xué)位博士與碩士點(diǎn)。本學(xué)科在舞臺劇創(chuàng)作方面獨(dú)具特色，先后培養(yǎng)了李龍?jiān)?、姚遠(yuǎn)、趙耀明、朱宜、溫方伊等重要的劇作家，南京大學(xué)藝術(shù)碩士劇團(tuán)制作了《蔣公的面子》《雜音》《故鄉(xiāng)》《國際飯莊》《人間童話》等一批優(yōu)秀原創(chuàng)劇目。