在安順，時(shí)間似乎不是線性的，而是一層層疊在一起的。上一秒還作為“鎮(zhèn)館之寶”躺在安順市博物館展柜里的漢代青銅馬，后一秒就“變”成了一枚藍(lán)白相間的蠟染冰箱貼，躺在你的掌心里。

In Anshun, time does not seem to move in a straight line. Instead, it feels layered, with different eras resting gently on top of one another. One moment, a Han-dynasty bronze horse lies quietly in a display case at the Anshun Museum as a treasured artifact; the next, it reappears as a blue-and-white batik fridge magnet resting in the palm of your hand.

這種奇妙的時(shí)空交錯(cuò)體驗(yàn)，源于安順一直在嘗試，讓那些沉睡在倉庫和鄉(xiāng)間的文化記憶，重新變得溫暖起來。

This curious overlap of past and present comes from Anshun's ongoing effort to bring cultural memories—once stored away in warehouses or scattered across rural villages—back into everyday life, warm and tangible again.

“動(dòng)口也動(dòng)手”的博物館

A Museum Where You Can Learn and Create

走進(jìn)安順市博物館的非遺體驗(yàn)館，最先聽到的不是講解員的聲音，而是木頭撞擊的輕響和手指劃過白布的沙沙聲。

Step into the intangible cultural heritage experience hall at the Anshun Museum, and the first sounds you hear are not a guide's voice, but the gentle knock of wood and the soft rustle of fingers moving across cloth.

研究員們整天跟古籍打交道，以求找回古代文物的神韻，而技藝超群的傳承人們負(fù)責(zé)把古老的蠟染、木雕和銀飾技藝，一針一線一錘地教給來體驗(yàn)的人們。一個(gè)孩子可以在這里花上一個(gè)下午，不僅能了解安順歷史，還順帶學(xué)習(xí)了了珍貴的安順非遺技藝。從這里被帶走的每一件文創(chuàng)產(chǎn)品有文化、有溫度、有匠心，且獨(dú)一無二。

Researchers spend their days studying ancient texts to recover the spirit of historical artifacts, while master artisans pass down traditional crafts such as batik, wood carving, and silverwork, teaching visitors stitch by stitch and hammer strike by hammer strike. A child could easily spend an entire afternoon here, not only learning about Anshun’s history but also practicing its traditional crafts.

Every cultural product taken home from here carries culture, craftsmanship, and warmth—and no two pieces are exactly alike.

安順的“文化客廳”

Anshun's Cultural Living Room

將軍令文創(chuàng)園依托始建于上世紀(jì)80年代的原安順京劇團(tuán)舊址打造而成。這片曾承載著劇團(tuán)排練日常的場地，如今已然成為安順的“文化客廳”。

The Jiangjunling Cultural and Creative Park was once a rehearsal hall for a local theatre troupe; today, it has become what locals call Anshun’s “cultural living room.”

被譽(yù)為“中國戲劇活化石”的安順地戲?qū)⒆鳛闅g迎每一位客人的隆重儀式上演。演員戴著古樸斑斕的面具，腰圍戰(zhàn)裙，手里的戈矛揮舞出明代“調(diào)北征南”的雄風(fēng)，瞬間讓人仿佛置身六百年前的戰(zhàn)場。

Here, Anshun Dixi Opera—often described as a "living fossil" of Chinese theatre—is performed as a ceremonial welcome for visitors. Performers wear vividly painted masks, battle skirts around their waists, and wield halberds and spears, recreating the military spirit of the Ming dynasty's historic southern campaigns. For a moment, it feels as though you have stepped onto a battlefield from six centuries ago.

如今的文創(chuàng)園集非遺文創(chuàng)展示、民族服飾與屯堡銀飾等陳列于一體，同時(shí)設(shè)立了戲曲傳承研究工作室與書房。還招募了數(shù)位安順非遺傳承人、藝術(shù)家入駐，共創(chuàng)具有本土特色的非遺文創(chuàng)產(chǎn)品，將深厚的文化底蘊(yùn)壓縮成可以揣進(jìn)兜里帶走的“微縮記憶”。當(dāng)這些“新生”的“舊物”被世界各地的游客帶回家，獨(dú)屬于安順的城市記憶便隨之延伸開來。

Inside the cultural park, Dixi masks, embroidery, silver ornaments, and other heritage crafts have been transformed into modern cultural products—objects designed for contemporary life while carrying centuries of history. These items turn deep cultural traditions into small, portable memories that visitors can carry home in their pockets. When travelers from around the world take these pieces back with them, a fragment of Anshun’s story travels with them too.

“平安順?biāo)臁北澈蟮恼軐W(xué)底色

The Philosophy Behind the Name Anshun

技藝為翼，思想為骨。坐落于安順文廟內(nèi)的儒學(xué)文化博物館，讓這座城市的文化形象變得真正豐滿起來。

Craft gives culture its wings, but ideas give it its backbone. The Confucian Culture Museum, located within the Anshun Confucian Temple, completes the city's cultural identity.

安順文廟作為保存完好的古建筑群，本身就是一部石刻的史書。而在儒學(xué)文化博物館里，深?yuàn)W的哲學(xué)概念被轉(zhuǎn)化為易懂的文字和沉浸式的體驗(yàn)。對于一座名字就蘊(yùn)含著“平安順?biāo)臁泵篮米Ｔ傅某鞘衼碚f，儒學(xué)文化博物館就像一張名片，一篇序章，在解釋和展現(xiàn)安順的底色。

The temple complex itself is like a history book carved in stone. Inside the museum, complex philosophical ideas are presented through accessible exhibitions and immersive experiences. For a city whose name literally conveys the blessing of "peace and smooth fortune," the Confucian Culture Museum serves as both an introduction and an explanation of the city’s cultural character.

“讀一讀”安順

Reading Anshun Like a Book

從“走進(jìn)博物館”到“把博物館帶回家”，最終實(shí)現(xiàn)“在生活中遇見博物館”。

From visiting museums, to taking a piece of the museum home, to encountering culture in everyday life—Anshun has been trying to weave museums into the fabric of daily living.

這些嘗試的背后，都飽含安順的滿滿誠意：讓歷史“活”過來，讓文化“暖”起來。博物館不再是文物的終點(diǎn)站，而是生活的新起點(diǎn)。當(dāng)你帶走一件新文創(chuàng)或者親手做出一件蠟染，安順這本厚重而有趣的歷史書，就在你手中翻開了新的一頁。

Behind these efforts lies a simple but sincere idea: to bring history back into everyday life and to make culture something people can truly feel and experience. Museums are no longer the final resting place of artifacts, but the starting point of new stories.

When you take home a cultural creation or make a piece of batik with your own hands, you are opening a new page in the long and fascinating story of Anshun.

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來源：貴州衛(wèi)視

責(zé)編：周中英 | 編審：王曉海 | 終審：吳迪