來(lái)源：設(shè)計(jì)先鋒隊(duì)（ID:toot8448）

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Interpreting the design of Mansano Paris from the perspective of material emotional expression, the space takes terrazzo, walnut and brass as the core carriers, weaving the brand's craftsmanship heritage and jewelry design aesthetics into every detail. The designer abandons the traditional form-first approach and lets the material properties guide the spatial shaping from the start, making the tactile texture of the materials echo the delicate craft of Mansano's jewelry. This material-driven design logic not only highlights the brand's pursuit of quality but also builds an immersive sensory connection between the space and the jewelry art.

從材質(zhì)的情感表達(dá)視角解讀 Mansano 巴黎店設(shè)計(jì)，空間以水磨石、胡桃木與黃銅為核心載體，將品牌的工藝底蘊(yùn)與珠寶設(shè)計(jì)美學(xué)織入每一處細(xì)節(jié)。設(shè)計(jì)師摒棄傳統(tǒng)的先定形態(tài)再選材質(zhì)的思路，從設(shè)計(jì)之初便讓材質(zhì)特性指引空間塑形，使材質(zhì)的觸覺(jué)肌理與 Mansano 珠寶的細(xì)膩工藝相呼應(yīng)。這種以材質(zhì)為導(dǎo)向的設(shè)計(jì)邏輯，既彰顯品牌對(duì)質(zhì)感的極致追求，也讓空間與珠寶藝術(shù)建立起沉浸式的感官聯(lián)結(jié)。

The ground floor is the spatial window of the boutique facing the city, with a mirror system skillfully setting off the depth of the space and extending the visual boundary of 81 Rue du Bac into the interior. A walnut wave-shaped wall unfolds like a soft wooden curtain, with niches embedded in the curved lines to display jewelry pieces, whose radian resonates with the counter-curves of the central art installation. The curved glass fa?ade on the ground floor inlays a unique brass jewelry ornament, which becomes a striking visual mark connecting the store and the street, making the brand's artistic temperament blend with the urban context of Paris.

一層是精品店面向城市的空間窗口，鏡面系統(tǒng)巧妙烘托出空間的縱深感，將巴克街 81 號(hào)的城市視覺(jué)邊界延伸至室內(nèi)。一面胡桃木波浪形墻體如柔潤(rùn)的木簾舒展，弧形線(xiàn)條中嵌設(shè)展龕陳列珠寶單品，其弧度與中央藝術(shù)裝置的反曲線(xiàn)形成韻律共鳴。一層的弧形玻璃外立面嵌有專(zhuān)屬黃銅珠寶飾件，成為聯(lián)結(jié)店鋪與街道的醒目視覺(jué)標(biāo)識(shí)，讓品牌的藝術(shù)氣質(zhì)與巴黎的城市脈絡(luò)相融。

At the far end of the ground floor space, a uniquely geometric staircase is carved out of the solid terrazzo mass, serving as a spatial link between the dynamic exhibition area and the quiet upper floor. The rough and smooth texture of terrazzo contrasts with the delicate brass trim on the staircase, creating a rich tactile and visual layering. The staircase is not only a functional traffic node but also a sculptural art piece in the space, whose solid shape and unique lines slow down the visitors' pace and lead them to experience the brand's artistic connotation step by step.

在一層空間的盡頭，一座幾何形態(tài)獨(dú)特的樓梯從整塊水磨石體塊中雕琢而出，成為動(dòng)感展示區(qū)與靜謐上層空間的聯(lián)結(jié)紐帶。水磨石的粗糲溫潤(rùn)質(zhì)感，與樓梯處精致的黃銅飾邊形成對(duì)比，營(yíng)造出豐富的觸覺(jué)與視覺(jué)層次。這座樓梯不僅是功能性的交通節(jié)點(diǎn)，更是空間中的雕塑藝術(shù)作品，其扎實(shí)的形態(tài)與獨(dú)特的線(xiàn)條放緩訪(fǎng)客的腳步，引導(dǎo)人們一步步感受品牌的藝術(shù)內(nèi)涵。

The first floor is crafted into an intimate lounge space, where soft-hued enveloping furniture replaces the rigid display layout, creating a warm and exclusive reception atmosphere for visitors. The space is interspersed with art display areas, where contemporary artworks and Hanna Darmon's jewelry designs echo each other, sparking unexpected artistic resonance. The blend of art and jewelry breaks the single shopping attribute of the boutique, turning the space into a place for communication and inspiration, and letting visitors experience the brand's artistic pursuit beyond the jewelry itself.

二層被打造為極具私密性的休憩沙龍空間，柔色調(diào)的包裹式家具取代了刻板的展陳布局，為訪(fǎng)客營(yíng)造出溫馨且專(zhuān)屬的接待氛圍。空間中穿插著藝術(shù)展示區(qū)，當(dāng)代藝術(shù)作品與漢娜?達(dá)蒙的珠寶設(shè)計(jì)相映成趣，碰撞出意想不到的藝術(shù)共鳴。藝術(shù)與珠寶的交融，打破了精品店單一的購(gòu)物屬性，讓空間成為交流與靈感迸發(fā)的場(chǎng)所，讓訪(fǎng)客體驗(yàn)到珠寶之外品牌的藝術(shù)追求。

Brass runs through the entire space as a key material, and the designer pays special attention to the patina change of brass, making the material present different texture states with the passage of time. This attention to the natural aging of materials is intertwined with Mansano's craftsmanship concept of inheriting and innovating, as the brand's jewelry making also pursues the balance between time-honed craft and modern design. The patina of brass records the traces of time in the space, making the boutique not a static display hall but a living art space that grows with the brand.

黃銅作為點(diǎn)睛材質(zhì)貫穿整個(gè)空間，設(shè)計(jì)師尤為注重黃銅的氧化做舊效果，讓材質(zhì)隨時(shí)間流轉(zhuǎn)呈現(xiàn)出不同的肌理狀態(tài)。這份對(duì)材質(zhì)自然老化的考究，與 Mansano 傳承又創(chuàng)新的工藝?yán)砟钕嘟豢棧缙放频闹閷氈谱?，同樣追求時(shí)光打磨的工藝與現(xiàn)代設(shè)計(jì)的平衡。黃銅的包漿記錄著空間中的時(shí)光痕跡，讓這間精品店不再是靜態(tài)的展示廳，而是與品牌共同生長(zhǎng)的活態(tài)藝術(shù)空間。

The design of Mansano Paris perfectly balances exclusivity and intimacy, heritage and modernity, and every detail is a dialogue between architectural art and jewelry craftsmanship. Clement Blanchet Architecture integrates the soft geometric aesthetics of Hanna Darmon's jewelry into the spatial form, and combines the brand's origin story with material selection and layout design. This integration of brand culture and spatial art makes the space carry the humanistic thickness of the brand, letting every visitor feel the deep bond between Mansano's craftsmanship spirit and artistic creation in the sensory experience.

Mansano 巴黎店的設(shè)計(jì)將專(zhuān)屬感與私密性、傳承性與現(xiàn)代性完美平衡，每一處細(xì)節(jié)都是建筑藝術(shù)與珠寶工藝的對(duì)話(huà)。克萊蒙?布蘭切特建筑事務(wù)所將漢娜?達(dá)蒙珠寶的柔潤(rùn)幾何美學(xué)融入空間形態(tài)，又將品牌的起源故事與材質(zhì)選擇、布局設(shè)計(jì)相融合。這份品牌文化與空間藝術(shù)的深度融合，讓空間承載起品牌的人文厚度，讓每一位訪(fǎng)客都能在感官體驗(yàn)中，感受到 Mansano 的工藝精神與藝術(shù)創(chuàng)作的深厚聯(lián)結(jié)。

編輯：夏邊際

撰文：豆寶寶

校改：吳一仁

編排：布忠耀

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