【山東發(fā)布】中英文傳播｜七星臺(tái)又名四角城，地處濟(jì)南、章丘、萊蕪、泰安四城交界處，總面積20平方公里。這座藏于群峰間的古臺(tái)，總在云霧中顯露出別樣風(fēng)骨。

當(dāng)晨霧如素綢漫過黛色山脊，四角城的輪廓便在云絮中若隱若現(xiàn)，殘存的城墻青磚沾著晨露，似在訴說著千年過往，云霧纏上垛口，又為這份厚重添了幾分縹緲。

山風(fēng)拂過，云霧驟然翻涌。成團(tuán)的云氣順著四角城的臺(tái)基奔涌而下，撞在崖邊的松枝上，化作細(xì)碎煙靄，繞著石階緩緩升騰，恍若仙人踏云而來的痕跡。偶有陽(yáng)光穿透云層，金色光束斜切霧海，照亮臺(tái)頂?shù)谋?，讓斑駁字跡在光影中愈發(fā)清晰，與漫山云霧相映成趣。

待云霧稍歇，四角城的壯闊盡顯。云團(tuán)在山谷間聚散，時(shí)而如輕紗覆臺(tái)，讓古臺(tái)浸在朦朧詩(shī)意里；時(shí)而如白濤漫谷，將臺(tái)身襯得愈發(fā)巍峨。

在這里，云霧是流動(dòng)的筆墨，暈染著四角城的千年底蘊(yùn)，也勾勒出七星臺(tái)獨(dú)有的山水畫卷。

云霧不是背景，是與七星臺(tái)共生的魂，不是籠著景，是陪著景過的日子。

它裹著齊長(zhǎng)城的滄桑，托著天文塔的星夢(mèng)，連索道劃過的弧線，都成了霧寫給山水的情書。

Qixingtai, also known as Sijiaocheng (the Four-Cornered City), is located at the border of four cities: Jinan, Zhangqiu, Laiwu, and Tai'an, covering a total area of 20 square kilometers.

This ancient platform, nestled among the mountains, always reveals a unique demeanor amidst mist and clouds.

When the morning mist, like a plain silk, spreads over the dark green mountain ridges, the outline of Sijiaocheng looms faintly amidst the clouds. The remaining blue bricks of the city wall, damp with morning dew, seem to murmur tales of a thousand years gone by; when the mist curls around the crenels, it adds a touch of ethereality to this sense of historical profundity.

A mountain breeze blows by, and the mist and clouds suddenly surge and tumble. Masses of cloud surge down along Sijiaocheng's platform foundation, crash against the pine branches on the cliff edge, and turn into fine wispy mist that curls slowly upward around the stone steps—like traces left by immortals treading on clouds. Occasionally, sunlight pierces through the clouds, and golden rays slice diagonally through the sea of mist, illuminating the inscriptions on the stele at the top of the platform. The faded characters become even clearer amid the play of light and shadow, creating a delightful contrast with the mist and clouds enshrouding the mountains.

When the mist and clouds subside a little, the grandeur of Sijiaocheng is fully revealed. Cloud masses gather and disperse among the valleys—sometimes they drape over the platform like a light veil, immersing the ancient structure in a hazy poetic atmosphere; at other times, they surge through the valleys like white waves, setting off the platform to appear even more towering.

Here, mist and clouds are like flowing ink and wash: they imbue Sijiaocheng with its millennium-old heritage and outline the unique landscape scroll that belongs solely to Qixingtai.

Mist and clouds are not mere backdrops—they are the soul that coexists with Qixingtai. They are not just a veil covering the scenery, but a companion that shares the passage of time with it.

They shroud the vicissitudes of the Qi Great Wall, carry the starlit dreams of the Astronomical Tower, and even the arc traced by the cable car becomes a love letter written by the mist to the mountains and rivers.

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