鄉(xiāng)野和風(fēng)

BREEZE OVER COUNTRYSIDE

方曉龍水彩寫生作品展

FANG XIAOLONG WATERCOLOR SKETCH EXHIBITION

主辦單位 | Organizer

深圳紅立方運(yùn)營管理委員會(huì)

ORGANIZER: OPERATION AND MANAGEMENT COMMITTEE OF SHENZHEN RED CUBE

展覽地點(diǎn) | Venue

深圳紅立方龍崗區(qū)公共藝術(shù)館B1二號(hào)廳
VENUE: HALL2,B1,LONGGANG PUBLIC ART GALLERY,SHENZHEN RED CUBE

展覽時(shí)間 | Time

2026年2月5日-3月8日

DATE: FEBRUARY 5, 2026–MARCH 8, 2026

前言

FOREWORD

藝術(shù)的生命力，永遠(yuǎn)扎根于自然與生活的土壤。寫生，作為繪畫藝術(shù)直面現(xiàn)實(shí)的創(chuàng)作方式，是藝術(shù)家與天地萬物的對(duì)話，亦是捕捉世間鮮活意趣的永恒途徑。寫生的本質(zhì)——以眼觀物，以心悟境，以筆留真，這便是寫生創(chuàng)作的初心，亦是所有寫生者奔赴自然的目的。

The vitality of art is forever rooted in the soil of nature and life. Sketching from life, as a creative method in painting that directly confronts reality, is the artist's dialogue with heaven, earth, and all things, and an eternal path to capturing the world's vivid charm. The essence of sketching—observing with the eye, comprehending with the heart, and preserving truth with the brush—is the original intent behind creating art from life and the very purpose that draws all who sketch to venture into nature.

于藝術(shù)家而言，寫生從來不是簡單的技法練習(xí)，而是人生與藝術(shù)之路的重要修行。它讓創(chuàng)作者走出畫室的方寸天地，以腳步丈量大地，以目光捕捉鄉(xiāng)野的朝暮光影、草木榮枯。每一次面對(duì)自然的落筆，都是對(duì)觀察能力、表達(dá)能力的錘煉，更是對(duì)內(nèi)心的沉淀與豐盈。在與鄉(xiāng)野的朝夕相處中，方曉龍褪去城市的浮躁，將對(duì)自然的感知、對(duì)生活的理解凝于筆尖，水彩的暈染與筆觸的鋪陳，皆成為他內(nèi)心世界的外化。寫生讓他的藝術(shù)語言愈發(fā)鮮活，也讓他的創(chuàng)作始終保有對(duì)生活的赤誠，這份從自然中汲取的力量，成為其藝術(shù)生涯不斷前行的底色。

For an artist, sketching has never been merely a technical exercise; it is a vital practice on the journey of both life and art. It leads the creator out of the confined studio space, measuring the earth with their steps and capturing with their gaze the shifting light of dawn and dusk in the countryside, the flourishing and withering of plants. Each stroke made in the presence of nature hones one's powers of observation and expression, while also serving to settle and enrich the inner self. Through day and night amidst the rural landscape, Fang Xiaolong sheds the restlessness of the city, condensing his perception of nature and understanding of life onto the tip of his brush. The washes of watercolor and the layering of his strokes become an externalization of his inner world. Sketching keeps his artistic language ever fresh and ensures his creations retain a sincere devotion to life. This strength drawn from nature forms the very foundation upon which his artistic career continually advances.

在圖像技術(shù)高度發(fā)達(dá)的當(dāng)下，寫生的方式與藝術(shù)表達(dá)更有著獨(dú)特的時(shí)代意義。當(dāng)鏡頭可以輕易定格瞬間，寫生所賦予的現(xiàn)場感與情感性，便成為無可替代的藝術(shù)價(jià)值。西方印象派以寫生捕捉光影的瞬息萬變，中國寫生傳統(tǒng)則講求“寫出生意”，方曉龍融合中西寫生的精髓，以水彩的通透靈動(dòng)描繪鄉(xiāng)野和風(fēng)，在現(xiàn)場的即興創(chuàng)作中，讓色彩與水的交融成為情感的自然流露。他的寫生，不是對(duì)鄉(xiāng)野風(fēng)景的機(jī)械復(fù)刻，而是以藝術(shù)的視角提煉鄉(xiāng)野之美，讓那些被忽略的田園詩意、鄉(xiāng)土溫情，在水彩畫面中被重新發(fā)現(xiàn)。

In an era of highly developed imaging technology, the method and artistic expression of sketching carry unique contemporary significance. While lenses can easily freeze a moment in time, the sense of presence and emotional depth bestowed by sketching become irreplaceable artistic values. The Western Impressionists used plein air painting to capture the fleeting changes of light and shadow, while the Chinese tradition of sketching emphasizes "capturing the vital essence." Fang Xiaolong blends the essence of both Eastern and Western approaches to sketching, employing the translucency and liveliness of watercolor to depict the gentle breezes of the countryside. In his on-site improvisations, the interplay of color and water becomes a natural outpouring of emotion. His sketches are not mechanical reproductions of rural scenery but artistic distillations of its beauty, rediscovering through the watercolor medium the pastoral poetry and local warmth often overlooked.

在快節(jié)奏的當(dāng)代生活中，這樣的寫生創(chuàng)作，更像是一種慢下來的藝術(shù)表達(dá)。它讓我們重新審視自然與生活的聯(lián)結(jié)，在鄉(xiāng)野的和風(fēng)里，感受自然的本真與生命的鮮活。方曉龍的這些水彩寫生作品，是鄉(xiāng)野風(fēng)景的寫照，是藝術(shù)靈感的凝結(jié)，更是一份對(duì)自然的敬畏與熱愛。愿觀者能從這些畫面中，邂逅鄉(xiāng)野的溫柔，感受寫生藝術(shù)的獨(dú)特魅力，在筆墨光影間，尋得一份內(nèi)心的安寧。

In the fast-paced rhythm of contemporary life, such creative sketching resembles a form of slowed-down artistic expression. It invites us to re-examine the connection between nature and life, to feel the authenticity of nature and the vibrancy of life within the gentle country breezes. These watercolor sketches by Fang Xiaolong are portrayals of rural landscapes, crystallizations of artistic inspiration, and above all, a testament of reverence and love for nature. May viewers encounter the tenderness of the countryside within these frames, sense the unique allure of sketching from life, and find a moment of inner peace amidst the interplay of ink, brush, light, and shadow.

此次展覽，謹(jǐn)以鄉(xiāng)野和風(fēng)，邀你共賞自然之美，共品寫生之韻。

With this exhibition, we cordially invite you, with the gentle breeze of the countryside, to share in the appreciation of nature's beauty and to savor the poetic essence of sketching from life.

部分作品

PART OF ART WORKS

方曉龍《寫生NO.4》

26cm×18cm 紙本水彩 2023

方曉龍《寫生NO.6》

26cm×18cm 紙本水彩 2023

方曉龍《寫生NO.7》

26cm×18cm 紙本水彩 2023

方曉龍《寫生NO.1》

18cm×26cm 紙本水彩 2023

方曉龍《寫生NO.9》

18cm×26cm 紙本水彩 2023

方曉龍《寫生NO.10》

18cm×26cm 紙本水彩 2023

方曉龍《山西李家莊寫生二》

18cm×26cm 紙本水彩 2020

方曉龍《山西李家莊寫生三》

18cm×26cm 紙本水彩 2020

方曉龍《哈爾濱寫生二》

18cm×26cm 紙本水彩 2021

方曉龍《寫生NO.11》

18cm×26cm 紙本水彩 2024

方曉龍《寫生NO.13》

18cm×26cm 紙本水彩 2024

方曉龍《院落》

31cm×41cm 紙本水彩 2025

方曉龍《侗寨人家》之二

31cm×41cm 紙本水彩 2024

方曉龍《侗寨人家》之三

31cm×41cm 紙本水彩 2024

方曉龍《村落》

31cm×41cm 紙本水彩 2022

方曉龍《仙湖植物園》

31cm×41cm 紙本水彩 2022

方曉龍《速寫》之一

27cm×39cm 紙本水彩 2021

方曉龍《速寫》之二

27cm×39cm 紙本水彩 2021

方曉龍《冬日》

31cm×41cm 紙本水彩 2022

方曉龍《陽光》

41cm×31cm 紙本水彩 2020

方曉龍《江門碉樓二》

31cm×41cm 紙本水彩 2021

方曉龍《寫生NO.30》

31cm×41cm 紙本水彩 2025

方曉龍《寫生NO.31》

31cm×41cm 紙本水彩 2025

方曉龍《寫生NO.32》

31cm×41cm 紙本水彩 2025

方曉龍《寫生NO.33》

31cm×41cm 紙本水彩 2025

方曉龍《寫生NO.34》

31cm×41cm 紙本水彩 2025

方曉龍《寫生NO.35》

31cm×41cm 紙本水彩 2025

方曉龍《寫生NO.37》

31cm×41cm 紙本水彩 2025

方曉龍《寫生NO.40》

31cm×41cm 紙本水彩 2025

方曉龍《寫生NO.41》

31cm×41cm 紙本水彩 2025

方曉龍《寫生NO.42》

31cm×41cm 紙本水彩 2025

方曉龍《寫生NO.46》

31cm×41cm 紙本水彩 2025

方曉龍《寫生NO.48》

31cm×41cm 紙本水彩 2022

方曉龍《寫生NO.50》

27cm×38cm 紙本水彩 2024

方曉龍《寫生NO.51》

41cm×31cm 紙本水彩 2022

方曉龍《寫生NO.53》

31cm×41cm 紙本水彩 2022

方曉龍《寫生NO.54》

31cm×41cm 紙本水彩 2023

關(guān)于藝術(shù)家

ABOUT ARTIST FANG XIAOLONG

方曉龍

中國美術(shù)家協(xié)會(huì)會(huì)員，中國美術(shù)家協(xié)會(huì)水彩畫藝術(shù)委員會(huì)委員，廣東省美術(shù)家協(xié)會(huì)理事，廣東省美術(shù)家協(xié)會(huì)水彩畫藝術(shù)委員會(huì)副主任兼秘書長，深圳市美術(shù)家協(xié)會(huì)副主席，深圳市公共文化藝術(shù)創(chuàng)作中心（深圳畫院）專職畫家、美術(shù)創(chuàng)作部主任、一級(jí)美術(shù)師，廣東工業(yè)大學(xué)碩士研究生導(dǎo)師。

Fang Xiaolong
Member of China Artists Association
Member of the Watercolor Art Committee of China Artists Association
Council Member of Guangdong Provincial Artists Association
Deputy Director and Secretary-General of the Watercolor Art Committee of Guangdong Provincial Artists Association
Vice Chairman of Shenzhen Artists Association
Full-time Painter, Director of Art Creation Department, and National First-Class Artist at Shenzhen Public Culture and Art Creation Center (Shenzhen Academy of Painting)
Master's Supervisor at Guangdong University of Technology

創(chuàng)于2014，相伴已成為習(xí)慣

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